Education
B.A. Amherst College (1991)
M.F.A. Princeton University (1993)
Ph.D. Princeton University, Music (1996)
Courses
- MUS 112/ASIA 112 (S) LEC Musics of Asia
- MUS 118 LEC Hearing Race in America, 1890-1955 (not offered 2026/27)
- MUS 119 LEC Rock and Roll Revolutions, 1950-1999 (not offered 2026/27)
- MUS 141/THEA 141 LEC Opera (not offered 2026/27)
- MUS 150/THEA 150 LEC The Broadway Musical (not offered 2026/27)
- MUS 233 LEC Music in History III: Art Music Since 1900 (not offered 2026/27)
- MUS 238 LEC Music in Modernism (not offered 2026/27)
- MUS 239/LEAD 239 (S) LEC Music in the Global Cold War
- MUS 279 TUT American Pop Orientalism (not offered 2026/27)
- MUS 316/AAS 316/AMST 366 SEM Music in Asian American History (not offered 2026/27)
- MUS 471 SEM Timbre (not offered 2026/27)
Publications
Books
Beyond the Bandstand: Paul Whiteman in American Musical Culture, editor and contributor (University of Illinois Press, 2024)
Sondheim in Our Time and His, editor and contributor (Oxford University Press, 2022)
Extreme Exoticism: Japan in the American Musical Imagination (Oxford University Press, 2019)
Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater (University of California Press, 2001)
Articles
“The Male Siren: Countertenor Voices in Contemporary Opera,” forthcoming
“Compelled by the Primitive in Cinematic Dance,” forthcoming
“Integration and Segregation in Whiteman’s Music Television, 1948-1955” and “Introduction: Naming and Placing Whiteman,” in Beyond the Bandstand: Paul Whiteman in American Musical Culture (University of Illinois Press, 2024)
“Finishing the Line: Wit, Rhythm, and Rhyme in Sondheim,” and “Introduction: Our Sondheim,” in Sondheim in Our Time and His (Oxford University Press, 2022), 1-11; 391-416
“Allusion in the Composition of Contemporary Opera,” Cambridge Opera Journal, 33, 3 (2022)
“Learning from Bartók: The Promises and Perils of a Globalized Music History,” in Listening Across Borders: Musicology in the Global Classroom, eds. James A. Davis and Christopher Lynch (Routledge, 2022), 85-100
“Morality and Meaning in Lady Gaga’s Vocal Masking,” in Un/Masking: Reflections on a Transformative Process, eds. Anna Baccanti, Franziska Link, Johanna Spangenberg, Antonia Stichnoth (Berlin: Neofelis Verlag, 2021), 207-238
“Puccini und der Exotismus,” in Puccini Handbuch, ed. Richard Erkens (Stuttgart: Metzler/Bärenreiter, 2017): 144-58
“Puccini and the Music Boxes,” Journal of the Royal Musical Association, 140, 1 (Spring 2015): 41-92. (Scroll down for sound clips below.) Available at http://dx.doi.org/10.1080/02690403.2015.1008863
“Exoticism,” in The Oxford Handbook of Opera, ed. Helen Greenwald, Oxford University Press, 795-816.
“Global Exoticism and Modernity,” in The Cambridge History of World Music, ed. Philip V. Bohlman, (Cambridge University Press, 2013), 606-633
“The Persistence of Orientalism in the Postmodern Operas of Adams and Sellars,” in Representation in Western Music, ed. Joshua Walden, (Cambridge University Press, 2013), 267-86
“Tan Dun and Zhang Yimou Between Film and Opera,” Journal of Musicological Research 29, 1 (January 2010)
“Blurring the Boundaries: Tan Dun’s tinte and The First Emperor,” Journal of Musicology 26, 3 (Summer 2009)
“Continuity in Composing the American Cross-Cultural: Eichheim, Cowell, and Japan” Journal of the American Musicological Society 61, 3 (Fall 2008)
“Cinematic Realism, Reflexivity and the American ‘Madame Butterfly’ Narratives,” Cambridge Opera Journal 17, 1 (2005)
“Representing the Authentic: Tak Shindo’s ‘Exotic Sound’ and Japanese American History,” ECHO 6, 2 (2005)
“An Exotic Enemy: Anti-Japanese Musical Propaganda in World War II Hollywood,” Journal of the American Musicological Society 54, 2 (Summer 2001)
“Bitter Rituals for a Lost Nation: Partch’s Revelation in the Courthouse Park and Bernstein’s Mass,” The Musical Quarterly 80, 3 (Fall 1996)
Online and Multimedia Publications:
“Harry Partch and Japan,” New York City Japan Society, December 2007
watch video
Lecture at the Library of Congress, October 2010, “American Musical Modernism and Japan,”
watch video
“Music Box as Muse to Puccini’s ‘Butterfly’,” The New York Times, June 2012
read article
Webcourse on Nico Muhly’s opera “Dark Sisters” for OPERA America, June 2012
view sample
“Puccini’s Music Box?,” PBS program “State of the Arts,” December 2012
watch video
Lecture for the Berkshire Symphony performance of “The Rite of Spring,” March 2013
watch video
“Pop Orientalism: Tin Pan Alley to Taiwan Today,” lecture for the TEDx conference at Williams College, January 2014
watch video
“The Magical Power of ‘Let It Go’,” video discussion of the song and film sequence in Frozen, March 2014
watch video
“Words and Music: The Songs of John Harbison,” with Harbison, Schwartz, Glück, and Fisher, April 2014
watch video
“Exploring the Songs of Frozen,” with Kristen Anderson-Lopez and Robert Lopez, June 2014
watch video
Lecture on Indian Ragamala painting and music (brief excerpt), Williams College Museum of Art, October 2014
watch video
Folksong sources in Puccini’s Madama Butterfly, Met Opera Guild Podcast episode 84 (2017)
listen
Lecture on Adès’s The Exterminating Angel, Met Opera Guild Podcast episode 85 (2017)
listen
Lecture on Muhly’s Marnie, Met Opera Guild Podcast episode 115 (2018)
listen
Lecture on Glass’s Akhnaten, Met Opera Guild Podcast episode 141 (2019)
listen
“Morality and Meaning in Vocal Masking,” Zentralinstitut für Kunstgeschichte, Munich, July 2019
watch video
Lecture on Aucoin’s Eurydice, Met Opera Guild Podcast episode 191 (2021)
listen
Lecture on Puts’s The Hours, Met Opera Guild Podcast episode 210 (2022)
listen
Audio examples for “Puccini and the Music Boxes”
Audio for Example 3 Excerpt of recorded performance by Mirella Freni; Herbert von Karajan, cond.; Vienna Philharmonic. London 417 577-2, 1974/1987.
Audio for Example 4 Excerpt of recorded performance by Maria Spacagna; Charles Rosekrans, cond.; Hungarian State Opera House Orchestra. Vox Classics VOX4 7525, 1996.
Audio for Example 6 Excerpt of recorded performance by Luciano Pavarotti; Herbert von Karajan, cond.; Vienna Philharmonic. London 417 577-2, 1974/198.
Affiliations
Series Editor, AMS Studies in Music, Oxford University Press, 2016-2022
Editorial Board Member, Cambridge Opera Journal, 2016-
Editor-in-Chief, Journal of the American Musicological Society, 2014-2016
Director-at-Large, Board of the American Musicological Society, 2011-2013
Grants
Irving Lowens Book Award, Society for American Music, 2021
Music in American Culture Award, American Musicological Society, 2020
John Hyde Teaching Fellowship for “excellence in teaching,” Williams College, 2020-2023
ACLS Susan McClary and Robert Walser Fellowship in Music Studies, 2019
H. Colin Slim Award, American Musicological Society, 2016
Membership, Institute for Advanced Study, Princeton NJ, 2011
American Philosophical Society Sabbatical Fellowship, 2007-2008
ASCAP Deems Taylor Award, 2006
Kurt Weill Book Prize (biennial), Modern Language Association, American Musicological Society, American Society for Theatre Research, and Kurt Weill Foundation, 2003
NEH Fellowship recipient, 2003-2004
Alfred Einstein Award, American Musicological Society, 2002
NEH Summer Stipend recipient, 2002
Phi Beta Kappa, Amherst College, 1991
Committees
- Faculty Interview Panel