Pictures
- Class No. 6: Revolutionary Transformations: Women,
Gender, and the Party-State
- Class No. 8:
Culture Wars: Art and Revolution
-
Revolutionary Transformations: Women, Gender, and the Party-State
Pre-Revolutionary period:
- Nikolai Pimonenko, “Haymaking” (1907)
- Zinaida Serebriakova, “Peasants” (1914)
- Nikolai Kasatkin, “The Spinner” (1904)
- Nikolai Kasatkin, “Woman Miner” (1894)
- Abram Arkhipov, “Laundresses” (c.
1900)
- Mikhail Nesterov, “The Taking of the Veil” (1898)
- Nikolai Iaroshenko, “Girl Student” (1883)
- Mikhail Nesterov, “Portrait of the Artist’s Daughter” (1906)
- Valentin Serov, “Portrait of Ida Rubinstein” (1910)
- Valentin Serov, “ Portrait of [Countess] O. Orlova” (1911)
From the Revolution through the end of the NEP:
- Kuzma Petrov-Vodkin, “The Year 1918 in Petrograd” (1920)
- Kuzma Petrov-Vodkin, “Portrait of Anna Akhmatova” (1922)
- Abram Arkhipov, “Peasant Girl with a Pitcher” (1927)
- Evgenii Katzman, “The Kaliazin Lace-Makers” (1928)
- Viktoriia Belakovskaia, “A Steel Horse on the Fields of Ukraine” (1927)
- Konstantin Iuon, “Young People of the Moscow Suburbs” (1926)
- Aleksandr Samokhvalov, “Young Woman Worker” (1928)
- Aleksandr Deineka, “Textile Workers” (1927)
- Boris Ioganson, “On the Way to the Rabfak [Workers’ Factory
School]” (1928)
- Georgii Riazhskii, “The Chairwoman” (1928)
Posters,from the Revolution through
the end of the NEP:
- Adolf Strakhov, “Women’s emancipation day” (1920)
- Nikolai Kogout, “By force of arms we have smashed the enemy, with
our labor we will get bread. Down to work, Comrades!” (1921)
- Vladimir Lebedev, “Demonstration” (1920?)
- Vladimir Lebedev, “Earth” (1918)
- Elizaveta Kruglikova, “Women, learn to read! Hey, Mama, if you
can read, teach me!” (1923)
- Aleksandr Deineka, “A Slave of God. A Candidate for the Party” (1925)
1930s:
- David Shterenberg, “Brigade During a Break” (1931)
- Konstantin Iuon, “Youth. Laughter” (1930)
- Aleksandr Deineka, “Mother” (1932)
- Serafima Riangina, “Ever Higher and Higher” (1934)
- Aleksandr Samokhvalov, “Woman in a Football Jersey” (1932)
- Aleksandr Samokhvalov, “In the Stadium” (1934-1935)
- V. G. Vasilev, “The Commander’s Family” (1938)
- Kliment Redko, “Motherhood” (1937)
- Mikhail Nesterov, “Portrait of the Sculptress Vera Mukhina” (1940)
- Iurii Pimenov, “New Moscow” (1937)
- Grigorii Shegal, “Leader, Teacher, and Friend” (1937)
- Aleksandr Samokhvalov, “Delegates” (1939)
Class No. 8: Culture
Wars: Art and Revolution
Pre-Revolutionary, Realism:
- Nikolai Kuznetsov, “Inspecting His Estate” (1879)
- Ivan Kramskoi, “Mina Moiseev” (1882)
- Nikolai Orlov, “Tax-Collecting” (1895)
- Ilia Repin, “The Volga Boatmen” (1870-1873)
- Konstantin Savitsky, “Repair Work on the Railway” (1874)
- Nikolai Kasatkin, “Poor People Collecting Coal in an Abandoned
Pit” (1894)
- Vladimir Makovsky, “A Doss-House” (1889)
- Abram Arkhipov, “Laundresses” (c.
1900)
- Ilia Repin, “They Did Not Expect Him” (1884-1888)
- Vasilii Perov, “A Meal in the Monastery” (1865-1876)
Pre-Revolutionary, Avant-Garde:
- Natalia Goncharova, “Mowers” (1907-1908)
- Natalia Goncharova, “Airplane over a Train” (1913)
- Aleksandra Exter, “City” (1913)
- Natan Altman, “Portrait of Anna Akhmatova” (1915)
- Valentin Serov, “Portrait of Ida Rubinstein” (1910)
- Kazimir Malevich, “Red Square (Painterly Realism: Peasant Woman
in Two Dimensions” (1915)
- Kazimir Malevich, “Suprematism: Non-Objective Composition” (1916)
- Ivan Puni, “Window Washing” (1915)
- Nadezhda Udaltsova, “Kitchen” (1915)
- Olga Rozanova, “Room” (1915)
From the Revolution through the end of the NEP, realist:
- Aleksandr Apsit (Petrov), “Forward, For Defense of the Urals!” (1919)
- Aleksandr Moravov, “Meeting of a Committee of Poor Peasants” (1920)
- Efim Cheptsov, “Meeting of a Village Party Cell” (1924)
- Efim Cheptsov, “Marking Cooperative Day in a Village” (1926)
- Boris Kustodiev, “Festivities Marking the Opening of the Second
Congress of the Comintern in Uritsky (Palace) Square in Petrograd” (1921)
- Sergei Luppov, “Sport Games at a Stadium” (1927)
From the Revolution through the end of the NEP,Avant-Garde:
- Vladimir Lebedev, “The Red Army and Fleet in Defense of the Frontiers
of Russia” (1920)
- Lazar (El) Lissitzky, “Beat the Whites with the Red Wedge!” (1920)
- Pavel Filonov, “Petrograd Proletariat Formula” (1920-1921)
- Varvara Stepanova, “Sketch for Study
the Old, but Create the New” (c. 1919)
- Varvara Stepanova, “Figure” (1921)
- Natan Altman, “Russia: Work” (1921)
- Kliment Redko, “Factory” (1922)
- Kliment Redko, “Uprising” (1924-1925)
- Boris Ender, “In Peace” (1927)
- Aleksandr Deineka, “Before the Descent into the Mines” (1925)
- Aleksandr Tyshler, “Guliai-Pole (Makhno’s Gang)” (1927)
[Influenced by Anarchist ideas, Nestor Makhno led an independent armed
group in southern Ukraine during the Civil War and briefly managed to
establish a separate soviet state there.]
- Iurii Pimenov, “Study for poster New
Workers’ Settlement:
We Are Building” (1929)
- Kazimir Malevich, “Black Square” (1929)
- Kazimir Malevich, “Girls in a Field” (1928-1930)
1930s:
- Kazimir Malevich, “Self-Portrait” (1933)
- Iurii Pimenov, “Milk Factory” (1930)
- Aleksandr Deineka, Poster: “Work, build, and don’t
complain! The path to a new life has been shown to us. You
may not be an athlete, but physical training is obligatory.” (1933)
- Vasilii Rozhdestvenskii, “Rolling Shop at the ‘Sickle and
Hammer’ Factory” (1930)
- Nikolai Kotov, “Capital Construction” (1930s)
- Mitrofan Grekov, “The Buglers of the First Cavalry” (1934)
- Arkadii Rylov, “Lenin at Razliv” (1934)
- Aleksandr Samokhvalov, “S. M. Kirov Greets a Parade of Athletes” (1935)
- Arkadii Plastov, “Collective Farm Holiday” (1937)
- Vasilii Iakovlev, “Gold Miners Write a Letter to the Creator of
the Great Constitution” (1937)
- Ilia Lukomsky, “Meeting of the Factory Party Committee” (1937)
- Vasilii Efanov, “Meeting of Artists of the K. S. Stanislavskii
Theater with Students of the N. E. Zhukovskii Military-Aviation Academy” (1938)
- Isaak Brodskii, “Portrait of I. V. Stalin” (1937)