**CANCELLED**

MUS 108 The Concerto
More than any other instrumental genre in music, the concerto by its nature tells stories. As in opera, the concerto focuses on a protagonist, usually a single soloist; the interest of the work lies in the dynamic interplay of that individual with members of the group with whom s/he engages. This course will explore the development of the concerto starting with its first appearance in 17th century Italy through the 20th century. We will focus on the musical means by which composers from a wide range of styles-Baroque, Classical, Romantic, and Modern-created compelling musical narratives. We will also dwell on the cultural context within which concerti are composed and performed, with particular attention to the persona of the virtuoso as exemplified by such figures as Bach, Mozart, Beethoven, Clara Schumann, Liszt, Paganini, Horowitz, and Marta Argerich. Works to be studied will include several concerti to be performed on campus by the Berkshire Symphony with professional and student soloists.
Format: lecture/discussion. Evaluation based on two papers (5-6 pages each), a midterm and a final, and on class participation.
No prerequisites. Enrollment limit: 25 (expected: 20). Preference given to those with a demonstrated interest in music.
Hour: BLOXAM