In 1883, Maupassant called on his fellow war veterans and writers to join him in
speaking out against warfare and violence, crying "Let us dishonor war!" From
the Gallic Wars against Caesar (during the first century BC) to France's controversial role in the current "War on Terror" (at the opening of the twenty-first century), the French literary tradition is rich in texts that bear witness to war and
speak out against its monstrous inhumanity. While war literature in France can
be traced back to ancient and medieval texts on Vercingétorix, Charlemagne,
William the Conqueror, and Joan of Arc, this course will focus specifically on
literary representations of war during the nineteenth- and twentieth-centuries,
from the Napoléonic Wars, to the First and Second World Wars, to the Algerian
and Cold Wars, and the current "War on Terror." Discussions will examine the
impact of war on soldiers and civilians, patriotism and pacifism, history and
memory; the implications of war as invasion and conquest, occupation and resistance, victory and defeat; the relationship of war to gender, sexuality, and ethnicity; and the role of war in colonialism and genocide. Readings to include novels, short stories, and poems by Balzac, Stendhal, Hugo, Rimbaud, Daudet,
Maupassant, Zola, Cocteau, Wiesel, Duras, Camus, and Fanon. Films to include
works by Resnais, Renoir, Malle, Angelo, Pontecorvo, and Duras. Conducted in
French.
Format: seminar. Requirements: active class participation, two short papers, an
oral presentation, and a final paper.
Enrollment limit: 20 (expected: 20). If overenrolled, preference will be given to
first- and second-year students and those with compelling justification for admission.