MUS 212(F) Jazz Theory and Improvisation I

The theory and application of basic techniques in jazz improvisation including blues forms, swing, bebop, modally based composition, Afro-Cuban, etc. Appropriate for students with very little specific experience in jazz as well as more experienced students. Knowledge of all key signatures, major/minor keys and modes, intervals, triads and basic seventh chords (including inversions) and their functions within keys, and competence on an instrument is essential. Alternates between lecture style exposition of theoretical topics and their specific application in an informal performance/rehearsal setting.
In addition to the development of skills, written work consists of assignments (e.g., harmonic analysis and realization as well as exercises in transposition and transcription) and a final project (e.g., transcription of a recorded solo or a composition), and recital
Evaluation will be based on quizzes, a final exam, a final project and performance, as well as improvement as measured in weekly class performance and studios if appropriate.
Prerequisites: Music 103 and/or permission of instructor. Enrollment limit: 15. Course cannot be taken pass/fail.

Hour: BRYANT