MUS 124(F) The Singing Voice: Mechanics, History and Meaning
Why does an opera singer sound different from a rock singer? Why can't one
convincingly sing in the style of the other? And why is the former granted a
higher status and the latter a wider audience? This course examines the
physiological and acoustical properties of singing and explores the varieties of
singing style and function including Western classical, jazz, pop and gospel as
well as less familiar approaches such as overtone singing, yodeling and belting.
Also studied will be the historical development of singing styles in the West and
how meaning emerges from or is attached to specific vocal qualities. Students
will be expected to learn the basics of at least one singing style.
Format: lecture/discussion. Evaluation will be based on two tests, two short papers, and a final project.
No preresquisites. Enrollment limit: 19 (expected: 19). Preference will be given
to Music majors and ensemble participants.