ARTS 310T(S) Appearance/Disappearance
Appearance and disappearance are conditions that intuitively and intellectually
link a subject to its surrounding environment. We are made aware of things appearing (or disappearing) by the degrees and kinds of contrasts exhibited by the
subject (ideas or objects) in relation to its ground (ephemeral or material). The
particular array of relationships between subject and ground constructs diverse
kinds of evidence. From medical research in the imaging processes of the internal body to the forensic cues offered by the "black box" in-flight recording; from
the military use of camouflage to the video taped "appearances" of Osama bin
Laden; from the inability of an eating disorder patient to recognize a self image
to the masquerades we willingly wear-appearance and disappearance have governed the evidences of our actions, beliefs and identities.
This image-based studio examination of the subject will look at material that has
been shaped by its link with our central theme. Each of five studio projects will
successively build a cumulative view of how appearance and/or disappearance
might shift a viewer's ability to render any point of view. While work in a variety
of media will be encouraged, most of the studio exercises will be two-dimensional or low-relief in their final presentation.
Format: tutorial. Evaluation will be on the basis of the technical and conceptual
strengths of the portfolio, the weekly paired-student format and full class studio
discussions, and regular written analysis of work produced during this term. Lab
fee.
Prerequisites: any one of the following: ArtS 230, 241, 242, 257, 263, or 264.
Enrollment limit 12 (expected 12). Preference given to Art majors.