MUS 212(F) Jazz Theory and Improvisation I (Same as Africana Studies 212)
The theory and application of basic techniques in jazz improvisation including blues forms, swing, bebop, modally based composition, Afro-Cuban, etc. Appropriate for students with skill on their instrument and some basic theoretical knowledge. Knowledge of all key signatures, major/minor keys and modes, intervals, triads and basic seventh chords and their functions within keys. Students should be able to play and demonstrate these concepts on their instruments-competence on an instrument is essential (vocalists will be encouraged to study the piano). Pianists and guitarists should be able to sight read chords on a jazz lead sheet. Sight reading will be a regular part of our daily studies. Alternates between lecture style exposition of theoretical topics and a master class where students will perform and be evaluated on pieces they arrange for a student group.
In addition to the development of skills, written work consists of assignments (e.g., harmonic analysis and exercises in transposition and transcription), a transcription project (e.g., of a recorded solo or a composition) and recital.
Evaluation will be based on weekly homework, a midterm, a transcription project and the class performance, as well as improvement as measured in weekly class performance.
Prerequisites: Music 103 and/or permission of instructor. Enrollment limit: 15. Course cannot be taken pass/fail.
Hour: BRYANT