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The Courses
Core Courses in Comparative Literature fall under one of four
different rubrics, which describe the type of material covered
in the course, as well as the approach used to analyze and discuss
this material. The four types of core courses are:
Literary Genres: Courses described as "Literary Genres"
focus on a single type of literature, such as prose, poetry, film,
drama, tragedy, or mystery. These courses examine the ways in
which different times and places have adapted a given genre to
their needs, as well as how comparing works within a given genre
from different cultures enriches our understanding of both the
individual works and the genre as a whole.
Core course in Literary Genres include:
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COMP 224/English 204 The Feature Film |
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COMP 321 The Cultures of Poetry |
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COMP 328/English 388 Mysteries |
Literary Movements: Courses described as "Literary
Movements" focus on a single period or school of literature,
such as Romanticism, Modernism, or Postmodernism. These courses
examine the emergence, development, and dissemination of the philosophical
tenets and literary techniques associated with a given literary
movement, and they try to demonstrate the impact of a literary
movement on the literature and thought of the present day.
Core courses in Literary Movements include:
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COMP 231 Romanticism |
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COMP 232 Modernism |
Literature and Theory: Courses described as "Literature
and Theory" focus on the theory that has emerged out of the
reading and analysis of literature. These courses often examine
a discreet movement within literary theory, such as psychoanalysis
or modern critical theory. By investigating the relationship between
specific literary works and theoretical paradigms that explain
the significance and meaning of these works, students develop
new ways of understanding literature and its relationship to life.
Core courses in Literary Theory include:
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COMP 240/English 230 Introduction to Literary
Theory |
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COMP 340 Literature and Psychoanalysis |
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COMP 343/English 373 Modern Critical Theory |
Cultural Studies: Courses described as "Cultural
Studies" examine literature in its social context. In order
to do this, these courses focus on a single theme or idea that
has traveled across national, cultural, and linguistic boundaries,
such as adultery, Arthurian romance, or travel. By comparing and
contrasting the manner in which different times and places treat
a given theme, students learn to appreciate the broader elements
that connect different works of literature, while respecting the
cultural specificity of each work.
Core course in Cultural Studies include:
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COMP 152 Adultery and the Fallen Woman |
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COMP 252 Modern Women Writers and the City |
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COMP 257/English 207 Arthurian Literature |
The Program in Comparative Literature also cross-lists many courses
from other departments, such as Asian Studies, Classics, English,
German and Russian, Romance Languages, and Theatre. These cross-listed
courses study literature in English translation, literary theory,
or literary comparison. These courses include:
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COMP 107 Greek Literature (same as Classics
101) |
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COMP 108 Roman Literature (same as Classics
102) |
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COMP 109 Greek and Roman Drama: Renewal and
Transformation (same as Classics 103 and Theatre 311) |
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COMP 112 Modernity and Madness (same as English
141) |
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COMP 201 Reading the Hebrew Bible (same as Classics
201 and Religion 201) |
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COMP 202 From Goethe to Kafka (same as German
204) |
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COMP 203 Nineteenth-Century Russian Literature
in Translation (same as Russian 203) |
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COMP 204 Bolshevism, Glasnost, and Beyond: Twentieth-Century
Russian Literature in Translation (same as Russian 204) |
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COMP 205 The Latin American Novel in Translation
(same as Spanish 205) |
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COMP 205 The Latin American Novel in Translation
(same as Spanish 205) |
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COMP 207 Biblical Interpretation in Classical
Antiquity (same as Classic 207 and Religion 207) |
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COMP 211 Voyages of Discovery (same as English
223) |
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COMP 212 Wonder (same as English 232) |
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COMP 213 Femininity on Stage (same as English
215 and Theatre 215) |
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COMP 215 The Fashioning of Fashion: Theory and
Practice (same as French 215) |
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COMP 216 Post-Mao Literature and Culture (same
as Chinese 234) |
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COMP 217 Gender Issues in Traditional Chinese
Literature (same as Chinese 243) |
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COMP 218 Writer and Society in Twentieth-Century
China (same as Chinese 244) |
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COMP 271 Transitional Japanese Literature Into
the Twentieth Century (same as Japanese 271) |
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COMP 275 China's Greatest Novel (same as Chinese
275) |
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COMP 276 Premodern Japanese Literature and Performance
(same as Japanese 276) |
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COMP 301 Junior Seminar: Theories of Theatre
(same as Theatre 301) |
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COMP 303 Cervantes' Don Quixote (same as English 306 and
Spanish 303)
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COMP 304 Dante (same as English 304) |
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COMP 305 Dostoevsky and His Age (same as Russian
305) |
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COMP 306 Tolstoy and His Age (same as Russian
306) |
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COMP 308 Medieval Dream Vision (same as English
308) |
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COMP 368 Language, Performance, and Culture
(same as English 368) |
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COMP 390 Four Directors (same as English 390) |
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COMP 391 Kafka and His Descendants (same as
English 391) |
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