Guy Hedreen
Professor of Art
Williams College
15 Lawrence Hall Drive, Suite 1
Williamstown, MA 01267

Publications--books:

Capturing Troy: The Narrative Function of Landscape in Archaic and Early Classical Greek Art (The University of Michigan Press, 2001)

Reviews: Choice 40 (September, 2001; J. Pollini);  Minerva 13 (2002) 65 (Brian A. Sparkes); Bryn Mawr Classical Review 2002.12.29 (Jeffrey M. Hurwit); American Journal of Archaeology 107 (2003) 311-312 (Tyler Jo Smith); Oxford Classical Review 53 (2003) 452-454 (Elizabeth Moignard); Greece and Rome 50 (2003) 122-123 (Nigel Spivey); Religious Studies Review July 2004 (Barbara A. Barletta).

Silens in Attic Black-figure Vase-painting:  Myth and Performance (The University of Michigan Press, 1992)

Recipient of the 1995 Gustave O. Arlt Award in the Humanities from the Council of Graduate Schools

Reviews:  Oxford Classical Review 43 (1993) 379-381 (Alan Johnston);  Classical World 87 (1994) 243-244 (Stephen Fineberg);  Bryn Mawr Classical Review 5 (1994) 586-590 (Margaret C. Miller);  Journal of Hellenic Studies 116 (1996) 192-193 (Brian A. Sparkes); Ploutarchos 10 (1993): 29-32 (Mary C. Stieber).

Publications--articles:

“Ambivalence, Athenian Dionysiac Vase-Imagery, and the Narrative of Human Social Evolution,” to be published in the proceedings of the international symposium, “Bildkonzepte in der Hermeneutik griechischer Vasenmalerei,” Corpus Vasorum Antiquorum, Beiheft, edited by Stefan Schmidt and John Oakley.

“Unframing the Representation: Archaic Greek Dionysiac Art and Mystic Ritual,” submitted for inclusion in Framing the Visual in Greek and Roman Art, edited by Verity Platt and Michael Squire.

“Processional dance in Pindar’s Second Dithyramb, Animal Choruses, Theseus’ geranos, and Archaic Athenian Vase-Painting,” submitted for inclusion in Dithyramb and Society: Texts and Contexts in a Changing Choral World, edited by Barbara Kowalzig and Peter Wilson.

“Iambic Caricature and Self-Representation: An interpretation of Internal References among Red-Figure Vase-Painters and Potters of the Pioneer Group,” submitted for inclusion in“Reading” Ancient Greek Images: Modes of Representations and Contemporary Methodologies, edited by Dimitrios Yatromanolakis (Athens: Kardamitsa Editions, forthcoming 2008).

“The Trojan War, the City of Troy, and Theoxenia in Pindar’s Sixth Paian and on Aigina,” submitted for inclusion in Songs for Aigina: Contextual Studies of Pindar and Bacchylides, edited by David Fearn, accepted for publication by Oxford University Press.

“Involved Spectatorship in Archaic Greek Art,”  Art History 30 (2007): 217-246.

“Myths of Ritual in Athenian Vase-Paintings of Silens,” in The Origins of Theatre in Ancient Greece and Beyond: From Ritual to Drama, edited by Eric Csapo and Margaret Miller (Cambridge: Cambridge University Press, 2007), 150-195.

“‘I Let Go My Force Just Touching Her Hair’: Male Sexuality in Athenian Vase-Paintings of Silens and Iambic Poetry,” Classical Antiquity 25 (2006): 277-325.

“Dysfunctional Sexuality in Iambic Poetry and in Athenian Vase-Paintings of Silens,” in Proceedings of the XVIth International Congress of Classical Archaeology: Boston, August 23-26, 2003: Common Ground: Archaeology, Art, Science, and Humanities, edited by Carol C. Mattusch, A. A. Donohue, and Amy Brauer (Oxford: Oxbow Books, 2006),  168-171.

“The Return of Hephaistos, Dionysiac Processional Ritual, and the Creation of a Visual Narrative,” Journal of Hellenic Studies 124 (2004) 38-64.

“Image, Text, and Story in the Recovery of Helen,” Classical Antiquity 15 (1996) 152-184.

“Narrative art, I.3.  Greece and Rome,” in The Dictionary of Art, ed. Jane Turner (New York, 1996), 22:510 and 513-515.

“Sir Lawrence Alma-Tadema’s Women of Amphissa,” The Joural of the Walters Art Gallery 52/53 (1994/95) 79-92.

“Silens, Nymphs, and Maenads,” Journal of Hellenic Studies 114 (1994) 47-69.

“The Cult of Achilles in the Euxine,” Hesperia 60 (1991) 313-330

Publications--book reviews:

Richard T. Neer, Style and Politics in Athenian Vase-Painting: The Craft of Democracy, ca. 530-460 B. C. E. (Cambridge, 2002), in Bryn Mawr Classical Review 2003.

Michael J. Anderson, The Fall of Troy in Early Greek Poetry and Art (Oxford, 1997), in Bryn Mawr Classical Review 9 (1998) 405-409.

Thomas H. Carpenter, Dionysian Imagery in Fifth-Century Athens (Oxford, 1997), Bryn Mawr Classical Review 9 (1998) 315-321.

Susan Matheson, Polygnotos and Vase Painting in Classical Athens (Madison, 1995), in Bryn Mawr Classical Review 8 (1997) 69-73.

Christiansen and Melander eds, Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery (Copenhagen, 1988), in American Journal of Archaeology 94 (1990) 690-691.